If every aspect of an event were to be considered – from the mechanics of intention to the inevitable ripple effects – then wouldn’t an event’s ” T I M I N G . . .” be a viable metric…?
With an ambiguous focal point, ” T I M I N G . . . ” considers that no action happens in isolation, and therefore no single element merits priority, regardless of visibility.
“T I M I N G . . . ” suggests the connection between all aspects of an event by using the literal metaphor of a chain. The ‘cutaway’ exposes the physical mechanics beneath the glossy operation(s) depicted on the surface.
Nothing operates in a vacuum. The event itself emits its own force of (chaotic?) change beyond any real or imagined perimeter. The lowest circle surpassing the defined control boundary defines this effect-bleed.
A radiating circular pattern in the background depicts the event’s cumulative energy as greater than the sum of all the smaller operations combined. Like a ripple.
Obviously, everything makes a difference…
PROCESS
(74″ x 24″ x 2.5″) 19mm carved, frit-worked, kiln-fired monolothic glass; stainless hardware and back plate, wrapped over plywood hanger. 150lbs
(built 2015 – 2016 – completed in 2023) – part of “Interconnected” series (ongoing)
T I M I N G
For Sale : $ 16,500 CAD Special $11,000 CAD
NOTE:
C H O C O L A T E 2 . 0 & T I M I N G . . . are both unique – primarily in the sense that I used 19mm thickness glass. The production logistics of this choice proved much greater than anticipated, resulting in several attempts and higher material and outsource costs. Unfortunately, I would not be able to produce them at this price point in the future.
They have both taken many months to finalize and are now ready for sale.
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